Period: Third Intermediate Period. Dynasty: Dynasty Reign: reign of Psusennes I-II. Date: ca. B.C.. Geography: From Egypt, Upper Egypt, Thebes, Dei. In dieser Darstellung aus ihrem Totenbuchpapyrus steht Nani, die Zeremoniensängerin Amuns und Königstochter, neben einer großen Waage, auf der ihr Herz. Esta escena en papiro muestra a Nany delante de la Diosa de la Justicia MAAT In pictures: the ancient Egyptian Book of the Dead at the British Museum.
Papyrus of Nany, section 2. Retrieved from " https: Book of the Dead of Nany. Views View Edit History.
Third Intermediate Period Dynasty: Metropolitan Museum of Art. Permission Reusing this file. This file is made available under the Creative Commons CC0 1.
Or perhaps she is making a sacrifice in front of the king and he is determining whether her sacrifice is a worthy one or not, because all three of the people including the animal-human creature are looking at the king and he is looking at them…So perhaps there is a dialogue going on in some way.
There are texts with each painting in this section, which may be a description of what is going on. It turns out I was somewhat right in my description of the scene and what the hieroglyphics might say.
Nany is the woman the whole way through. She is actually making her final journey towards the afterlife. Much of the Book of the Dead revolves around Ani an ancient Egyptian scribe and his journey to the afterlife.
And when reading about it and observing the paintings, I noticed that much of it is the same, so I was able to compare the two stories.
They are both weighing their hearts against the Maat, the goddess of justice and truth. Jackal-headed Anubis, one of the four sons of Horus, and overseer of mummification, adjusts the scales, while a baboon—symbolizing Thoth, the god of wisdom and writing—sits on the balance beam and prepares to write down the result.
Nany must pass this test in order to move on to the afterlife. If not, her heart will be eaten. On the bottom register behind Nany is Isis, wife and sister of Osiris.
She is identified by the hieroglyphics. These characters are all an important part of the way in which ancient Egyptians viewed death and the afterlife.
Sitting right before Osiris is a foreleg of an ox. It is a symbol of royal and divine strength in Egypt. There are no apparent abstractions that throw your focus to any particular piece of the work too strongly.
The location of this particular piece of art was a bit secluded. I realized that after we broke off as a group at the Met when I, as well as two of my classmates practically got lost trying to retrace our steps back to the artwork.
It was a very dark, empty location of the Ancient Egypt section. I am guessing the darkness intended to put focus on the funerary element of the work, as well as other works around it.
So it seems that they put related people and objects around each other, to keep everything orderly and relevant in the museum.
In conclusion, there are many factors that play into each and every detail put into works of art like this.
These details painted a picture for me in my formal analysis of the work and tell a lot about how the piece was made and why.
Ancient Egyptians had a meaning for everything they put in the Book of the Dead and all of their art. Each symbol they used had a significant impact on their life and beliefs.
In their art, there are connections between many different paintings and texts that relate to each other, and all draw back to a common belief and way of life in Egypt.
I am not exactly sure why I chose to analyze The Book of the Dead over the rest of the pieces of art. I think that just when I looked at my options, I felt I had more to say about this piece of work than any of the others.
I saw a story in it. I felt I could talk about it clearer and understand it more than the other pieces, and that is what I believe ultimately led to my decision.
Andrews, Carol, and Raymond O. The Ancient Egyptian Book of the Dead. University of Texas Press, The Book of the Dead: The Hieroglyphic Transcript of the Papyrus of Ani.
Thames and Hudson, University of Texas Press, , Budge, The Book of the Dead: Group, , Budge, Book of the Dead, ix. Andrews and Faulkner, Ancient Book of the Dead, Budge, Book of the Dead, Richard Wilkinson, Reading Egyptian Art: Thames and Hudson, ,Graeco-Roman Museum - Alexandria Egypt. Sphinx of Shepenupet, daughter of Book of ra joc online Piye. Block statue of Beste Spielothek in Stadtwald finden a long serving secretary to rulers of the late 22nd and early 23rd dynasty. Egyptian Civilisation, Late Period. King Tuthmosis III ca. Metropolitan Museum of Art Genre: Nubia, 1st century BCE. Great Temple of Amon, colonnade of the hypostyle hall Genre: Egypt Western Thebes Ancient Egyptian 21st dynasty c. The Great Harris Papyrus Genre: Detail from the Temple of Amun Karnak.